- Jun 6, 2017
- 274
- 21
Grand Master Flash Fresh Style
Making some adjustments to classic turntables.
I was a geek coming up. I did extensive studies on the stylus. I had to figure out the proper needle that would stay inside the groove when it’s under the pressure of the vinyl being moved counterclockwise. That was the first step. The second step was figuring out what to do with the rubber matting that comes with the turntable. When I was trying to move the vinyl counterclockwise, it caused too much drag and too much friction, so I had to remove it. Then under that was the steel platter. The problem was I couldn’t put the vinyl on the steel platter because if there was a cut on the other side, I would ruin the record.
My mother was a seamstress so I knew different types of materials. When I touched felt, I said, “This could possibly work.” The problem with felt is that it draped, it was limp. So I ran home and got a copy of my album and I bought just enough felt to cut out two round circles the same size as a 33’ LP and — when my mother wasn’t looking — I turned the iron all the way up high and I used my mother’s spray starch. I sprayed it until this limp piece of felt became — I called it a wafer, like what you get in church at Easter. Today it’s called a slipmat.
Making some adjustments to classic turntables.
I was a geek coming up. I did extensive studies on the stylus. I had to figure out the proper needle that would stay inside the groove when it’s under the pressure of the vinyl being moved counterclockwise. That was the first step. The second step was figuring out what to do with the rubber matting that comes with the turntable. When I was trying to move the vinyl counterclockwise, it caused too much drag and too much friction, so I had to remove it. Then under that was the steel platter. The problem was I couldn’t put the vinyl on the steel platter because if there was a cut on the other side, I would ruin the record.
My mother was a seamstress so I knew different types of materials. When I touched felt, I said, “This could possibly work.” The problem with felt is that it draped, it was limp. So I ran home and got a copy of my album and I bought just enough felt to cut out two round circles the same size as a 33’ LP and — when my mother wasn’t looking — I turned the iron all the way up high and I used my mother’s spray starch. I sprayed it until this limp piece of felt became — I called it a wafer, like what you get in church at Easter. Today it’s called a slipmat.
